Fluxes for transparent and medium firing enameling. Below you will find enamel fluxes manufactures recommend for metal we like to use in enameling. Firing time varies on the size of your jewel. I work small and like to start around a min and go up in seconds. Just a quick peak in the kiln at eye level you can see if the enamel has fused. Fused means it appears smooth on the surface.
Ok so what is flux? it could be thought of as primer when you are painting a wall, or gesso on and oil canvas. It is a base coat of enamel that allows following layers of enamels with a wide range of physical properties to be use in this technique and not burn. So here we are talking about fluxes for enameling on copper and silver and gold
Copper
Fire at 1450 and up to 1550 degrees
Thompson’s Unleaded 2030 Flux. Check out Thompson’s Color Chart of Opaques for Copper
Thompson’s Color Chart of Transparent Enamel for Copper
Ninomiya’s Leaded L11 Flux
Bovano’s Leaded #1 Flux
- note when firing flux on copper, fire higher than then your layers of colored enamel after the flux. Copper oxidises quickly. To achieve the brilliant gold/copper color of the metal try 1600 degrees. Then back down to 1450-1500 as recommended by the manufactures for following enamels.
Fine Silver
I make enamel and cloisonne jewelry. And Fine Silver is my choice of metals. The weight of the jewel as well as the strength is a factor and in choosing the gauge of the fine silver. For pendants I prefer 20 gauge and for earrings 22 gauge.
Fire at 1425 – 1450 degrees
Thompson’s Non Leaded 2020 medium firing or 2040 for a hard firing fluxes. In my work I like a hard firing flux on my bases.
Ninomiya’s Leaded N1 Flux
N3 = Leaded pre – washed flux
G 110 Leaded hard flux
Bovano’s Leaded #3 this is a hard flux with a blue base, this is my favorite flux on fine silver.
Sterling Silver
Thompson’s Non Leaded 2040 flux.
Ninomiya Leaded N1 or N3 Flux
Bovano’s #3 Leaded Flux, both of these are hard enamels and I think it is helpful in keeping the surface contamination down of the sterling silver away from the layers of enamels.
- The surface of sterling sliver needs to be depleted to achieve a fine silver layer on this metal. Enamels will react to sterling silver that does not have this fine layer of pure silver. Even though you are applying a flux.
Gold
Fire at 1425 – 1450 degrees
Bovano Leaded #2 Flux
- I use Bovano #3 as my gold flux, and enamel on 18k yellow gold after it has been depleted to create a fine layer of pure gold before applying the flux.
Stainless Steel
Fire at 1250 Degrees – 4-8 min.
Low to Medium expansion Enamels Thompson’s Color Chart of Opaques for Stainless Steel
Finishing Fluxes
Ninomiya’s Leaded N4
Bovano’s Leaded 619
Brass Today is Gilded Metal
Today many are asking about enameling on brass. It needs to be gilded metal , which means it has 5% zinc and no more to be successful, with 95% bronze. You can obtain this from Thompson’s Enamel and use their unleaded enamels used for copper as long as you apply no more than three firings.
Does anybody know an address where I can buy sink free eutectic paste and sheet solder?
I ordered with Beth Katz (who wrote an article about the eutectic paste solder) but she is not able to deliver. I found some eutectic wire solder but like to have the paste as well.
Thanks.
Ingrid van der Meer
Ingrid,
I do not know but will ask around for you this week.
Patsy
Ingrid,
In asking around eutectic solder would not have zinc in it, as it should be sliver and copper only. Thompson”s Enamel sells it in a wire form which you could melt it and pour into a crucible. Then use a hand file to shave it very fine and add soldering flux to it to make your paste. I know plique a jour artist like Timofeev Valeri makes he solder that way. But he does not add flux, just sifts it on.
Good luck, Patsy
Hi Patsy, thank you so much for putting this blog together. The information is most valuable and inspiring as I face the challenge of creating beautiful cloisonne and plique a jour jewelry with fine silver and gold. I love your work. Kind regards Esther
Thank you Esther, I am glad to be of some help, just keep at it. It is such a beautiful art form.
Patsy